A house for one’s dad and mom is the quintessential first fee for an architect, however within the case of Lluís Alexandre Casanovas Blanco, who was born in Barcelona, Spain, and relies in New York, the cliché ends there. His “Actual Property Increase Home” isn’t a new-build, nor does its exterior betray a dedication to extremely private concepts of type. Moderately, it’s a renovation, comprising equal components investigation and intervention.
Situated in Cardedeu, exterior Barcelona, the home was constructed throughout the Spanish property bonanza of the early 1990s. The household bought it in 1992, and Casanovas, a finalist for this yr’s Lisbon Triennale Millennium bcp Début Award, spent the majority of his teenage years there.
It was solely after he enrolled at ETSA B Barcelona Faculty of Structure (he would later earn a grasp’s diploma from the Columbia Graduate Faculty of Structure, Planning and Preservation) that the home started to tackle new which means for him. “[It] represented every part fallacious about constructing,” Casanovas says. “These homes should not the merchandise of a consumer’s need, however of an entire system of finance and politics.”
Casanovas may perceive these techniques in summary phrases, however on the similar time, the actual property growth and bust fashioned a really actual background to his lived expertise. Renovating the home meant revealing the historical past embedded in its architectural options, such because the odd castellated turret that graces the facade. Casanovas puzzled what circumstances may have produced such an odd situation—medieval structure provided up as an icon of prosperity on the finish of the second millennium.
“It was an archaeological operation,” he says. “ With a little bit of fine-tuning, what was already there may very well be made to inform a narrative.”
Casanovas’s consideration to narrative permeates his work. As a part of the curatorial crew behind the 2016 version of the Oslo Structure Triennale, After Belonging, he labored to seize and convey the vicissitudes of residence in a second of mass political, social, and technological upheaval. In his collaborations with artists together with Gabo Camnitzer and the Spanish flamenco singer Niño de Elche, a predilection for mixing views prevails.
“[ Robert] Venturi and [Denise] Scott Brown’s suspension of judgment was essential to me,” Casanovas says. “It’s not productive to say that ‘every part is equally good and let’s have fun it,’ however fairly to acknowledge that the architect’s intelligence isn’t the one one in operation.”
Accordingly, Casanovas makes himself receptive to the contributions of others. “Actual Property Increase Home” displays the insights of a full forged of characters, and it has additionally instigated additional explorations. One endeavor, with Casanovas’s mom, Maria Lluísa Blanco, will produce a chaise longue based mostly on Le Corbusier, Pierre Jeanneret, and Charlotte Perriand’s basic LC4. However rather than the leather-based cushion, Blanco is weaving a lace hammock in ballistics fiber utilizing abilities she discovered in ladies’s vocational coaching underneath the Franco regime. It’s an ideal image of Casanovas’s wider undertaking: an intertwining of place, historical past, and expertise into one thing altogether surprising.
You might also take pleasure in “Deconstructing Degrowth at the Oslo Architecture Triennale”
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